Sandro Botticelli's Oil Paintings
	Sandro Botticelli Museum c. 1445 – May 17, 1510. Italian painter.
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Here are all the paintings of Baron Antoine-Jean Gros 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
51837		Arab Guards on the Watch	mk221 52.1x38.1cm
74616		Battle of Aboukir, 25 July 1799	1806(1806) Medium Oil on canvas Dimensions Width: 968 cm (381.1 in). Height: 578 cm (227.56 in). cjr
39951		Battle of the Pyramids	mk155 1810 Oil on canvas 389x311cm
39488		Bonaparte At Arcole	mk149 c.1797
75996		Bonaparte au pont d'Arcole.	1796(1796) 0.6 m (0.6 yd). Height: 0.7 m (0.8 yd). cjr
1840		Bonaparte on the Arcole Bridge on 17 November 1796	The Hermitage, St.Petersburg
20808		Bonaparte on the Bridge at Arcola on 17 November 1796 (mk05)	Canvas 28 1/2 x 23 1/4''(73 x 59 cmStudy for a portrait executed in Milan in 1796 that was exhibited in the Salon of 1801.Given in 1883 R.F 361 (G/AR)
20811		Bonaparte Visiting the Plague-Stricken at Jaffa on 11 March (mk05)	1799 Canvas 206 x 281 1/2''(523 x 715 cm)Commissioned by the state INV 5064 (S/AR)
78632		Charlotte	1816(1816) Medium Oil on canvas Dimensions 257 x 182 cm (101.2 x 71.7 in) cyf
69460		cheval arabe	se
44074		Christine Boyer	c. 1800 Oil on canvas, 214 x 134 cm
71414		Das Rob Mustapha Paschas	c. 1810 Oil on canvas 89 x 175 cm
72563		Das RobMustapha Paschas	Date Deutsch: um 1810 English: c. 1810 Medium Oil on canvas Dimensions Deutsch: 89 X 175 cm cyf
69461		le combat de nazareth	se
69459		le lieutenont legrand	se
44070		Madame Pasteur	1795-96 Oil on canvas, 86 x 67 cm
1839		Napolean at Jaffa	1804 Musee du Louvre, Paris
1838		Napolean on the Battlefield of Eylau on 9 February 1807	1808 Musee du Louvre, Paris
33856		Napoleo on the Battlefield at Eylau	mk87 February 9.1807 Oil on canvas 533x800cm Paris,Musee Natinal du Louvre
33855		Napoleon at Arcola	mk87 November 17.1796 Oil on canvas 73x59cm Paris,Musee National du Louvre
21308		Napoleon at Arcola (mk09)	November 17,1796,1796 Oil on cavnas ,73 x 59 cm Paris,Musee National du Louvre
40647		Napoleon at the Battlefield of Eylau	mk156 1807 Oil on canvas 521x784cm
31324		Napoleon auf dem Schlachtfeld von Preubisch-Eylau	nn07
93916		Napoleon Bonaparte on the Battlefield of Eylau 1807	1808(1808) Medium oil on canvas Dimensions 521 x 784 cm (205.1 x 308.7 in) cjr
44093		Napoleon Bonaparte on the Battlefield of Eylau, 1807	1808 Oil on canvas, 521 x 784 cm
23310		Napoleon Bonaparte on the Bridge at Arcole (nn03)	1796/7 Oil on canvas 134 x 104 cm 52 3/4 x 41 in Hermitage Museum St Petersburg
44072		Napoleon Bonaparte Visiting the Plague-stricken at Jaffa	1799 Oil on canvas, 523 x 715 cm
21306		Napoleon on the Battlefield at Eylau (mk09)	February 9 1807,1808 Oil on canvas ,533 x 800 cm Paris,Musee National du Louvre
20824		Napoleon on the Battlefield at Eylau on 9 February 1807 (mk05)	Canvas 205 x 308 1/2''521 x 784 cm)Commissioned following a competition held in 1807;Salon of 1808 INV 5065 (G/AR)
30666		Napoleon Visiting the Plague Vicims at jaffa,March 11.1799	mk68 Oil on canvas Paris,Louvre 1804 France
39952		Plague House at Jaffa	mk155 1804 Oil on canvas 523x715cm
77533		Portrait de Gerard-Christophe-Michel Duroc, duc de Frioul	Portrait de Gerard-Christophe-Michel Duroc, duc de Frioul (1772-1813). 1805(1805) Oil on canvas cjr
66455		Portrait du second lieutenant Charles Legrand	1809-1810 Oil on canvas 174 ?? 249 cm (68.50 ?? 98.03 in)
78519		Portrait of Francois Gerard, aged 20	1790(1790) Oil on canvas 47.3 x 56.2 cm (18.6 x 22.1 in) cjr
76937		Portrait of Louis XVIII in his coronation robes	1817(1817) Oil on canvas 292 ?? 205 cm (115 ?? 80.7 in) cjr
62846		Portrait of Madame	Oil on canvas Galeria, Zagreb Artist: GROS, Antoine-Jean Title: Portrait of Madame Recamier , painting Date: 1801-1850 French : portrait
95441		Portrait of Napoleon Bonaparte	Portrait of Napoleon Bonaparte
76614		Portrait of Paulin des Hours	1793(1793) Oil on canvas 74.5 ?? 98 cm (29.3 ?? 38.6 in)
81613		Premier Consul Bonaparte	Antoine-Jean Gros: Premier Consul Bonaparte, oil on canvas, c. 1802 cjr
44077		Sappho at Leucate	1801 Oil on canvas, 122 x 100 cm
89263		Schlacht von Nazareth	1801(1801) Medium oil on canvas Dimensions Deutsch: 135 x 195 cm cjr
44084		The Battle of Abukir	1806 Oil on canvas, 578 x 968 cm
86945		The Battle of Abukir	Date 1806(1806) Medium Oil on canvas Dimensions 578 x 968 cm (227.6 x 381.1 in) cjr

Baron Antoine-Jean Gros

1771-1835 French Baron Antoine-Jean Gros Galleries The son of a painter, Antoine Jean Gros was born in Paris on March 16, 1771. At the age of 14 he entered the studio of Jacques Louis David, the acknowledged leader of the classical revival. Although his own work became radically different from David's, he maintained a lifelong respect for his teacher and envisioned himself as the upholder of the Davidian tradition. In 1787 Gros entered the Acad??mie de Peinture, and when the Acad??mie dissolved in 1793 (a result of the French Revolution) he went to Italy. He met Josephine Bonaparte in Genoa in 1796, and she introduced him to Napoleonic society. Gros entered Napoleon's immediate entourage and accompanied him on several north Italian campaigns. Gros also became involved with Napoleon's program of confiscating Italian art for removal to France. Gros returned to Paris in 1800 and began to show his Napoleonic paintings in the annual Salons. The most famous of these are the Pesthouse at Jaffa (1804) and Napoleon at Eylau (1808). These works served to deify Napoleon, showing him engaged in acts of heroism and mercy. Stylistically, the paintings were revolutionary:their exotic settings, rich color, agitated space, and general penchant for showing the gruesome specifics of war and suffering differed radically from the cool generalizations of Davidian classicism that Gros had learned as a student. The presentation of contemporary historical events was also new, a harbinger of the realism that developed steadily during the first half of the 19th century in French, American, and English painting. Finally, the emphatic emotionalism of Gros's art established the foundation of romantic painting that Th??odore G??ricault and Eug??ne Delacroix developed after him. Unlike that of some of his countrymen (David is a case in point), Gros's position did not suffer after the fall of Napoleon. Gros painted for the restored monarchy, for instance, Louis XVIII Leaving the Tuileries (1817), and he decorated the dome of the Panth??on in Paris with scenes of French history (1814-1824). For this Charles X made him a baron in 1824. But these works lack the zest and commitment of Gros's Napoleonic period, perhaps because they were not based on the immediate kinds of historical experiences that had inspired the earlier paintings. Although marked by considerable public success, Gros's later career was in many ways acutely troubled. Basically, he could not resolve his personal esthetic theories with his own painting or with the work of his younger contemporaries. To the end Gros wished to propagate the classicism of David, and he took over David's studio when the master was exiled in 1816. By the 1820s, however, the revolutionary romanticism of G??ricault and Delacroix, among others, had clearly begun to eclipse classicism, and Gros found himself fighting a lonely and losing battle for conservatism. Ironically, he was fighting a trend that his own best work had helped to originate. As he persisted, moreover, his own painting began to show a diffident mixture of classic and romantic attitudes. Thus, while he was inherently a romantic, he tragically came to doubt himself. Gros died on June 26, 1835, apparently a suicide.

All the Sandro Botticelli's Oil Paintings

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